When you write thrillers your books have to be ...well, thrilling. Which means tapping into the dark side. We're not talking a walk in the park here, at least, not unless it's midnight and there's a serial killer lurking behind that tree.
There, you see what I mean - if you write stuff that is intended to be thrilling then you tend to see the world - well, let's say your perspective is a bit skewed. Nothing is innocent, everything is potentially dangerous. There is usually some form of crime involved and your protagonists should be under some sort of threat.
To write that stuff, you have to go somewhere ...
I don't actually know where that is. I suppose it must somehow feed off bad experiences that have happened in life, although I'm rarely aware of drawing on anything specific. I like to think I am a reasonably nice person, but give me a pen and paper ...
Conjuring up the scary and the gory isn't easy, but when the thing is working, in a perverse way, it can be a lot of fun. Now call me weird. You won't be the first.
Writing books is an exercise in fantasy, although that term tends to be applied these days only to stories with elves in them. Writers live in two worlds simultaneously. Here - and somewhere else entirely. It's solely inside your head, and that can be dark as well as light. Maybe there is an element of adrenaline junkie too. If you write it, you feel it. And now we're back to the 'fun' again.
I like writing the dark stuff, although I run a mile from it in real life. But, and it's a very significant but, my black stuff has to be tempered by a fully realised romance. Not just an add-on love affair. That's why I write Romantic Suspense. If I'm walking on the scary side I have to have the payoff of a hopeful ending and a new beginning to look forward to.
If I'm going into the dark, I have to know that something good is going to be waiting on the other side.