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AWARD WINNING AUTHOR

Writing in the Sunshine. Writing in the Shadows.


Wednesday, 25 November 2015

Where are we now?

Landmark London by night
I recently treated myself to a trip to the cinema to see the film 'Burnt'. A top chef (Bradley Cooper) self destructs, then climbs back to win 3 Michelin stars and probably Sienna Miller. Not a rom/com - maybe more a 'with romantic elements'. Lots of F words and plate throwing and a few of my favourite character actors in 'blink and you miss them' bit parts. The critics were a little lukewarm, but I enjoyed it. I'd have liked a bit more information about the food we were seeing on the plate though. And I seriously want Sienna Miller's hair.

But one of the chief reasons I decided to see it was the London locations that I glimpsed in the trailer. It was set in the Langham - which I visited when it still housed the BBC staff bar.(I was with the engineers - the nerds equivalent of 'I'm with the band.') And I've stayed there since it was reinvented as a posh hotel. On a cheap weekend offer, I hasten to add.

There were lots of shots of the river Thames and the bridges - I'm a sucker for bridges. And the back streets and alleys around Leicester Square. I have my doubts though about the scene that seemed to imply that the Langham had a
And by day
river frontage.

It made me think again about that perennial question of location. If you know a place, does it add to the attraction of the book or film? In this case it certainly influenced my decision to go. And what about locations that are made up?  In that case, the author really has to do their work to make it real.

Places I know, or which are vividly portrayed certainly add to the atmosphere for me.

2 comments:

  1. A quick note to say how much I've enjoyed your 'location' blogs - have just been tearing round like an eejit. Thinking of you. Cx

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    Replies
    1. Thanks Chris.Hope you get a bit of peace for a few days at least!
      I'm getting ever more aware of how much location means to me when writing or viewing/reading.

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