Writers are told – often - to ensure that they use all the senses when writing. Hearing and sound is most obviously covered by speech, but what about other sounds?
The thought behind this post came from a trip to a concert at St David’s Hall in Cardiff, last Sunday afternoon. I don’t know a lot about classical music – but I do like going to concerts occasionally. This one was the violinist Maxim Vengerov playing with the Wurth Philharmonic Orchestra, and they were brilliant. I really enjoyed it.
Music is obviously one thing to include in a book, but it was one small part of the concert that got me thinking. There was a tiny passage in the overture to Die Fledermaus where there was a bell tolling. I don’t know if it was supposed to, but it sent shivers up my spine – and I realised that I have a bit of a thing about bells. Sometimes, on a Sunday, if the wind is in the right direction I can hear the church bells from the mainland. And if I go for a walk in the evening the clock on the Dock Offices, which is on the other side of the water, chimes the hour. It’s a very evocative sound and one that I need to remember when I want some atmosphere.
I have used church bells – there is a scene in Never Coming Home when Kaz is startled by a sudden peal of bells, with interesting results, as you will know if you have read the book.
The more mysterious side of a tolling or chiming bell is something to ponder though. I’ll have to make a note to come back to it when I’m writing romantic suspense. I have a book in the works that has some mildly supernatural elements along with the suspense. I have an idea that a bell might fit right in.
Something to think about.