I've been there.

 At this time of the year publishers are promoting books that feature holiday destinations . It seems that we like to take books like that on holiday with us. Or maybe, if the bank balance is looking a bit thin, enjoy a bit of vicarious travel, or do a little gentle research to places we would like to visit or to revisit places we have enjoyed. My Riviera books come into that category - currently £2.99 for a three box set on Amazon. Writer friends Eva Glyn and Jan Baynham have new books, both set in glorious Greek locations, due out in the next few week. I'm currently reading Murder in Tuscany by T A Williams, which is cosy crime and holiday vibes.  

Holiday books to read in the sunshine, or in the rain, are fine, but I have recently been reading two thrillers that lean into their city location - Harlen Coben's Nobody's Fool and (a re-read) Robert Goddard's Beyond Recall - one set in New York and the other in various UK locations but particularly London for a key scene. In the case of the Harlen Coben the front end paper is actually a photo of New York. Both cities can of course be holiday destinations, but there is a very different feel. Having read them back to back I was struck by how both authors use the details of the city to add colour to the story. I assume you can drive the routes that Sami takes through New York (I've never driven in New York and am never going to in this lifetime) and see the buildings - although the Locke Horne building which is mentioned does not actually exist, outside the author's books.

I was especially interested in that scene from the Goddard. It takes place at Baker Street tube station where two characters 'meet' on separate platforms, one the up line and the other the down, and converse across the track. I've always wanted to write a 'London' book - still on the bucket list - and I can remember standing on that tube platform and envisaging exactly the same sort of scene. I can't recall now whether this was before or after reading Beyond Recall - I think it was before, but I can't do it now, as it would look like plagiarism. It's a striking scene that resonates if you happen to know Baker Street station well, which I do, and it certainly adds texture to the book. 

Now I have to find another location I can use - if the London book ever gets off the bucket list.