I've been working out time lines, which has been complicated as I'm working with four generations of two families. I spent Sunday morning working out how everyone's lives would overlap and whether A would still be alive when B was born, and if so, how old they would be. It got very tortuous, but I think I have cracked it.
I also compromised on the creative side by working on a part of the story that will go back forty years and will be a self contained episode, told through old letters and journals and a rather unexpected and tragic discovery, that I'm not going to divulge just now. The whole book, although it's set in Portofino and will have plenty of glamour and sunshine, and a very beautiful garden, has quite a Gothic feel to it, as the story has deep roots. I'm enjoying the play between light and dark, which I think will develop as the thing grows. In the meantime the second edits have just arrived, so the new one goes on the back burner. Gone, but not forgotten.